"Vocalist/guitarist Joan Smith is the standout here; it takes a hell of a wail to conquer the thick guitars and thundering percussion (courtesy of Isaac Klein), and she does it with ease. A strong sense of structure and a cheeky sense of humour (see: "Neko Case Hate Fucks Kurt Cobain") make her quite the the southern swamp-rock songstress, able to command both the slow dirge of "Missing the Point" and the stomping, riff-heavy single, "Sell Out" (streaming above—check out the sick organ solo) with equal personality and impressive control" - torontoist.com
"Little Foot Long Foot were a duo that really didn't need to change anything up in order to keep creating great music. They rolled the dice by making a radical change in their line-up, and it has paid off. Oh, Hell is a keeper."
- snobsmusic.net
"The band, a usual guitar and drum set, now has the addition of keys. Joan Smith, lead guitar and vocals, is a force, acting like she could kick the shit out of a trucker, and she played like it too. Their closing song, “She Looks to You” should be on everyone’s playlist. Now."
- MusicVice
"Little Foot Long Foot are a clever, bluesy kitsch rock duo that have the rare ability to make their Jack-and-Meg-in-reverse novelty work in their favour ... with scathing, gritty send-ups on everything from marriage to Toronto's music scene. It's a refreshing take on some otherwise too-serious subjects (see: music, especially in Toronto). Little Foot Long Foot's full-length debut is a confident and polished effort, and it shouldn't stay off the radar much longer."
- Exclaim
"Before you dismiss them as another White Stripes clone, replace Jack White’s growl with a voice closer to the Gossip’s Beth Ditto and the garage rock references with chunkier classic rock riffage. They’ve got their formula honed to a sharp point and cram in a lot of hooks...it’s a fun album that will sound good over a case of beer on a humid summer day.""
- NOW Magazine
"On a casual glance you’d expect front woman Joan Smith to play keys or picked acoustic, not gritty garage riffs that fuel her disdain for hipsters and a love of classic rock. I know it’s easy to fall for big guitars and crashing drums, especially with a cute female belting out the vocals - and make no mistake, she has some pipes - and the fact that Isaac Klein's snare might be tighter than the pants they both seem to hate, but Little Foot Long Foot is working to find their own niche in this suddenly over saturated genre. Their modern take on the classic sound adds just enough self-deprecating humor and sarcastic nonchalance (and some country swagger) to the tried and true emotions you expect to hear."
- Herohill
"On Little Foot Long Foot’s debut EP, Just About Broke, the combination of Joan Smith’s deadly vocals with Isaac Klein’s tight snare rolls results in seven songs of passionate blues-rock. Smith wails through Marriage Ain’t a Promise like it’s an aural punch in the face, and Ego Song will urge you to drive quicker than you probably should...the Toronto twosome manages to capture a distinct tone with Smith’s dirty distortion. The sound makes you feel like you’re trudging through a dusty southern town with a guitar strapped to your back and a revolver sitting on your hip, looking for trouble."
- National Post